Graphic designer working with editorial design, visual identities, illustration, and video.
Catalog design for Lofoten International Art Festival 2019. Tidal change was the emphasis for this year's visual concept. The catalog design was based on the visual identity made by NODE (Oslo).
Visual identity for a lecture series at Klimahuset. Kaffe & Klima focused on how we as individuals can help the climate. The topics were serious, but the tone was optimistic.
1/4
Illustration for a public event at the museum, where the lights were turned off and the visitors could explore the museum with a flashlight.
The foundation and curation of a digital magazine, distributed at the office. The magazine consisted of colleague's submissions; images and articles found whilst researching for their projects. The covers were made by collaging the contents of each issue.
1/9
Book cover for Kolon forlag's release of Gunnar Björling's poems, translated into Norwegian.
Book cover for Kolon forlag's release of Lars Norén's poems, translated into Norwegian.
Illustrations for an online magazine. Periskop focuses on how art is communicated to the youth. The illustrations used license free images and were replications of artworks, or symbolic of art in general.
1/8
Catalog design and visual identity for The Young Lions exhibition, at Preus Museum. In collaboration with Rune Døli (Modest).
Poster for an architecture workshop for kids.
Identity and posters for a club concept, at Arnolfini. The events showcased the local underground music scene from Bristol. The posters had to be printed in-house, on an A3 printer.
Taking inspiration from a quote by Hélio Oiticica, these prints tested the risograph's imprint on paper. "The work is born from merely a touch upon matter". This was a an answer to a brief set by Andrea Pinochet and João Doria, at The Ventriloquist Summer School in 2016. Twenty-six different prints were made using a limited colour range, using compositions of geometric shapes, which exposed a set grid. The prints were presented as an unbound booklet.
Posters for a club concept in Brighton. They wanted a look that resembled old sci-fi and fantasy films.
2/2
A collection of all the process work I did in my third year at Brighton. Book binding byWilliam Knight.
The filming and editing of three promotional videos for our degree show, using footage from our classroom. Assisting camerawork by Steph Hope and William Knight.
Posters for a film by Orson Welles which at the time was infamous for being unreleased. Some of the material had leaked online. These collages were made by photographing projections of this material.
I was asked to interview an someone who could not answer questions. This resulted in a portrait of a busy market square in Oslo. The brief was set by João Doria at the Ventriloquist Summer School 2015.
Footage of rendering 3d-scans, edited to a recording of a transistor radio.
Portrait of a recordshop owner in Brighton, who specialized in classical music and soundtracks.
A poster submitted to the festival's competition; Open Call: Reflect. The poster was exhibited and sold at the festival. In collaboration with Steph Hope.
Fan made music video for The Fall – Eat Y'self Fitter, using VHS-tapes. We wanted to use a medium which was avaliable at the time the song was released. In collaboration with Ben Hall.
Commemorative stamps are always made for the olympic games. These stamps commemorate the winter olympics in Sochi, by protesting Russia's anti-LGBQT laws.
Our year put on a club night called Club Zap. The money we received at the door, was used to fund our third year degree show.